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Theory Basics
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It's fun and exhilerating to start playing great songs by great bands and artists, but playing without any knowledge of theory is a little like painting by numbers.  You know what to do to make the sounds, but you don't know what is happening.
 
This page is designed to help you understand a little more about the "mechanics" of what is happening when you play.  It is your choice if you want to extend your knowledge of theory further, lots of hobby guitarists are happy playing and developing without the "grind" of learning theory.  This page is not designed to teach you music, it is designed to help you understand the basic basic points of what is going on.  This will in turn help in developing your playing.
 
 
Notes
There are 12 notes
A    A#    B    C    C#    D    D#    E    F    F#    G    G#
# = sharp (sharp is a half step above a note)
b = flat (flat is a half step below a note)
 
Thinking logically therefore C# is also Db
 
Note There are no sharps on B & E
 
 
Each string plays a single note
In standard tuning;
                                                       6  5 4  3  2 1
Played open, the strings play E A D G B e
 
With your finger at a fret position, each fret  = half a step
                                                                    2 frets = a full step
 
Illustrated on the fretboard as follows (right hand)
 
Note: The illustration is vertically in the opposite direction to how you look at your guitar (upsidedown).  Looking at your fret board when you play, your strings run from 6th string (nearest your head) down to 1st string (nearest your toe).  All fretboard illustrations are in the above format to illustrate base strings at the bottom.
 
 
Scales  
A scale is a series of notes in a sequence.  The notes within each scale are related and as such work well with each other. Generally a song or musical work is constructed from an individual scale. 
 
Example Major Scale
In major scales the notes within each scale are in a sequence of steps
                           Step whole whole half whole whole whole half
Examples
D major scale        D       E        F#    G      A        B        C#    D
G major scale        G       A        B      C     D         E        F#    G
Note: You will see that this relates to the fretboard illustration
 
 
Key
In simplest terms, songs are played in keys.  You will have heard the question "what key is it played in". The key relates to the scale. For example a song played in the key of D major will (in the main with some exceptions) contain notes and chords from the D major scale.
 
Note: We will be producing a video lesson on writing your own songs, you will then be able to see how easy it is for you to write songs - with some basic rules which we will explain.
 
 
 
Chord
A chord is a group of notes played together.  Each note in the chord has a relationship with the other notes in the chord.
 
Example                                    A Major chord      E Major chord   
       = Root note                                    A                              B
          + note 4 half steps above        C#                            E
          + note 7 half seps above         E                              G#
 
Example A major chord is notes A, C# and E played together
 
 
Chord Groups
Chords fit into three group based on the notes forming the chords  
Major Chords - Sound "Happy, cheery"
Minor Chords - Sound "Sad, sombre"
Seventh chords  - Sound "Jazzy"
 
Try this out yourself play a some major chords together, hear how they ring out with a happy, energetic feel.  Then play some minor chords, hear how they sound more sombre.  Try A major then A minor.  Try E major then E minor
 
Chord notation
Where the chord just show the letter, it is the Major variation.  Where the chord is minor it will be noted as (m) a minor chord
 
Example;
A major              you will see as just  A
A minor              you will see as         Am
E major              you will see as just  E
E minor              you will see as         Em
 
 
Bar and Measures
A bar or measure is is a segment of time defined as a given number of beats of a given duration.  The most common form of timing is 4:4 (4 beats to a bar). If you look at musical notation, you will see each bar is defined by a vertical line in the notation Think of the line as a bar. 
 
 
Beats & notes
Think of beats as a pulse.  A bar being a time length of 1 full note.
The most common form of Bar timing is 4:4 ie;  4 x 1/4 notes in each bar. 
 
1/4 notes
Think of these in a count    1  2  3  4        1  2  3  4 etc
Each number counted is a 1/4 note. 
In this example think of each number as a down strum.
Think of each down strum as a beat.
 
1/8 notes
In 4:4 timing, this is fitting 8 part notes into a bar ie; 1/8 of a note
 
1/16th notes
In 4:4 timing this is fitting 16 part notes into a bar ie; 1/16 of a note
 
Example - Think of the beats count as;                              
1/4  notes           1                 2                 3                  4      
1/8th notes         1     and      2     and      3     and      4   and
double up 1/8's  1   and   a   2   and   a   3   and   a   4   and   a     
 
As an example in playing;  
Think of  1 2 3 4     as down strums
                and's       as up strums in the middle of 2 x 1/4 notes 
                and   a     as a quick down up in the middle of 2 x 1/4 notes

 

 
Syncopation
Syncopating is adding in part notes or taking out part notes within the bar timing.
 
 
Strumming patterns
Strumming patterns are simply the syncopation used working within bar timing.
 
 
 
If you have read and understand all of this
well done !
 
Now go and play something
Keep learning FUN